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DP6 Bugs Fixed in Digital Performer 7

MOTU released DP7 recently, and we’ve just installed our upgrade and 7.01 patch. I was very pleased to find that DP7 fixes many bugs introduced in DP6.

  • All Open/Save dialog boxes now remember their last window size, position, & column widths.
  • All sidebar panes in the Consolidated Window now have consistent click-through behaviors. In DP6, if for example the Sequence Editor was popped out and in the foreground over the Consolidated Window, clicks to the body of only certain background Consolidated Window panes would bring that window to the foreground. The problem tabs that are now fixed are Snap Information, Cursor Information, Event Information, Selection Information, and Track Selector. (NOTE: The exception is Track Selector, where clicking *items* leaves its focus in the background as you would hope, while a click to the tab itself or the pane’s border now brings the window to the foreground.)
  • Double-clicking to enter and leave the “Conductor” track in Graphic Editor is fixed. In DP6, if you double-clicked the “Conductor” track in the Tracks window, it would not switch the Graphic Editor (i.e. “MIDI” tab) to the “Conductor” track, even tho Preferences > Edit Windows > Default Edit Windows > Conductor Track was set to “Graphic Editor”. The only way was to select “Conductor” from the Graphic Editor’s mini-menu track list. Conversely, if Conductor was the active Graphic Editor track, it would not respond to a MIDI track double-click either. The only way to exit the Conductor track graphic view was also through a mini-menu selection.
  • More compatible with SampleTank (v2.5.3). DP6 was able to include SampleTank in Bounce to Disk operations without having to freeze or print the track audio, but the instrument’s behavior was always erratic if the VI window was closed. Possibly related to the window having to remain open, Bounce operations would sometimes take up to 5 minutes to begin. This delay also appears to be fixed in DP7.
  • Fully compatible with Omnisphere (v1.0.4g). Omnisphere is now also to be included in Bounce operations without freezing or printing the audio first. (Yay!) Previously, Bounce operations would kick Omnisphere into “Stack” mode, screwing up all your patch and output settings, and requiring you to close and reopen the file to restore.

There are possibly many more things fixed, but these were specific DP6 gripes checked off my list.

Buy Snowferno. $1.99 on the App Store
CPU usage seems much improved, and I’m a huge fan of the UI refinements (namely the more slender automation line weight) and the inline channelstrips. After a bumpy DP6 ride, I feel in good hands again.

I’m not done tho. Next post:
Bugs from DP6 not yet fixed in DP 7.01…

Frankie is a Shaieb

Frankie is a Yellow Lab… who doesn’t like car rides or swimming. We think it’s because she has an ear thing which makes her get car sick, and hate getting water in her ears. She tries to keep her head way up when she swims which makes her butt sink. We take her swimming every saturday morning to help her elbow, which she had a problem with when she was a puppy. Since she’s not the best swimmer, we find it helps for her to have a life vest and a neck float. So embarrassing! (It kills me, so hilarious – We love her :)

Frankie is Lab??? Nope - she's a Shaieb!  Right, Lynn?

Frankie is Lab??? Nope - she's a Shaieb!
Right, Lynn?

I have a theory that “Shaiebs sink” … and Frankie is definitely a Shaieb.

The Talented Ms. Ripley

Last thursday was Alice Ripley day in the studio. She graciously flew in and recorded Eagle Woman for our demo of The Protagonists. This filled in the last missing piece of the puzzle. Now Brent is in the studio with his magic mixing bag soon to be a finished demo.

A big thank you to everyone who recorded with us … you will hear the final mix soon!

Kevin Del Aguila, Alice Ripley & Mike in the studio

Kevin Del Aguila, Alice Ripley & Mike in the studio

No, Brent, Finale doesn’t Suck – it Blows.

Have you ever had a car in high school that was being kept together by the rust? Where duct tape is a design element for the torn upholstery … and you have to keep a window open wide enough to stick your arm in and unlock the door because the key won’t work properly.

Yes. That’s Finale – and that’s my story, I’m sticking to it.

A Big Week Ahead

Alot of research, planning, and work culminates this week with some exciting things. We’re changing notation programs, installing acoustics improvements in the studio, and completing vocal tracking of Mike’s demo with a visit from a Tony-winning Broadway star.

Switching to Sibelius

I’ve had misgivings about Finale’s seriousness toward the Mac ever since Sibelius released their Mac OS X native app 18 months before Finale. Some of Finale’s OS X implementation (i.e. printing parts as PDF) is still broken even 5 paid upgrades later. Finale’s yearly upgrades are $100, the file formats are not backwards compatible so upgrades are essentially mandatory, yet serious bugs remain unfixed and new features are rarely worth the cost (either pandering to the education market or playing catchup to Sibelius). In addition, I couldn’t even launch Finale 2008 (a “MOTU bug“, they said), but it mysteriously fixed itself in Finale 2009.

We’ve demoed Sibelius 6, tested MusicXML file transfers out of Finale, and had our friend and professional music copyist Alden Terry give us a quick walkthru of Sibelius. The tipping point was Sibelius’ support for ReWire — a potentially exponential timesaver letting us sync vocal arrangements in real-time to our DP projects. We’re convinced, and today we start our transition.

Most of the Sibelius vs. Finale posts I came across were horribly outdated, so I will be live-blogging our transition — warts and all. Look here for my series of blog posts about switching from Finale to Sibelius.

Acoustic Improvements

Last fall, we reconfigured our studio (featuring a snazzy custom desk from KK Audio). This new layout made the acoustic imperfections in our room even more troublesome, but theme park season and general lack of acoustic theory kept me from addressing it.

I saw a college friend’s studio pictures on facebook, and he pointed me in the direction of RealTraps. Mike and I had been reluctant to just ignorantly plaster our walls with (honestly, ugly) acoustic foam, so the panel design already appealed to us. I’ve been corresponding with RealTraps’ on-hand acoustics expert “JWL” who looked at photos of our room and was really helpful in identifying what configuration would give us the most improvements.

I’ve measured our room’s frequency response in its current state, and I’ll do the same afterward. Look here for the results!

Broadway’s Alice Ripley

Mixing is progressing nicely on the 3-song demo for the new Kevin Del Aguila/Michael Shaieb musical, “The Protagonists”. The last vocalist is now confirmed, as Mike wrote earlier.

This Thursday, we’re happy to have Alice Ripley (Next To Normal, The Rocky Horror Show) joining us in the studio singing the part of “Eagle Woman”.

(Fans of Go-Go Beach will also know her from demo track #14: “The Love That Cannot Be”.)

Alice recently won a Tony award for the role of “Diana” in the Broadway musical Next To Normal, and we’re thrilled to have her back again.

In The Studio

We are almost finished recording the cast in our studio. Thought I would share a few pictures that we took with Marc Kudisch, Andy Karl, Michael Marcotte & Lisa Howard. We record our singers in the room known as our bedroom, usually with a lab or two on the bed watching. (Sometimes snoring – it’s not unusual for a singer to stop a take and say: ‘… um, your dog is snoring”).
Just one of the perks of recording at FatLab Music!

Lisa Howard in action at the mic

Lisa in action at the mic

Mike, Marc Kudisch, Kevin Del Aguila

Mike, Marc Kudisch, Roscoe, Kevin Del Aguila

Mike, Marc Kudisch, Andy Karl, Kevin Del Aguila

Mike, Marc Kudisch, Andy Karl, Kevin Del Aguila

Mike & Michael Marcotte

Mike & Michael Marcotte

Eagle Woman Has Landed

Ms. Alice Ripley is joining our cast of superheroes as Eagle Woman this week in our recording studio for our demo of The Protagonists.

Kevin and I are really excited to have her. Although she will not be sporting her wings and feathers, she will be bringing that incredible voice with her. We are happy to report that the Eagle Woman has Landed!


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